Vol. 11 No. 1 (2024): January-June 2024

บรรณาธิการแถลง | Editorial

• EDITORIAL

  4-5

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บทความวิจัย | Research Article

• PIANO SONATA NO. 14 IN C MINOR, K. 457 BY W. A. MOZART: INTERPRETATION AND PRACTICE STRATEGIES

  WANANONG CHANON, WIBOON TRAKULHUN

  13-27

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• INTERPRETATION AND PERFORMANCE TECHNIQUE ON DEBUSSY’S REFLETS DANS L’EAU

  NATRUJA CHUTIWANSOPON, PANJAI CHULAPAN

  28-41

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• INTERPRETATION AND PERFORMANCE TECHNIQUE ON SCHUBERT’S WANDERER FANTASY

  PATTARAPHON WONGSUN, PANJAI CHULAPAN

  42-54

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• MUSIC COMPOSITION OF AN ARCHEOLOGICAL DANCE: PRASAT KAONOI SI CHOMPOO

  KITTIPAN CHITTEP

  55-71

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• THE DEVELOPMENT OF HIGH QUALITY SOUND OF THE “KONGWONGYAI” MADE BY CASTING

  WIRAD SONGCROH

  72-84

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• THEMATIC ANALYSIS IN “BHATTHARA MAHARAJA” BY NARONGRIT DHAMABUTRA

  SARAWUT PHALACHEEWA, WIBOON TRAKULHUN

  85-100

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• VOCAL RECITAL BY RATTAPONG PITICHAN: CLASSICAL AND MUSICAL THEATRE REPERTOIRE

  RATTAPONG PITICHAN, KITTINANT CHINSAMRAN

  101-113

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• THE DESIGNS OF THE THAI ALPHABETS WITH THE IDENTITIES OF NAKHON PATHOM PROVINCE

  SURAPONG PRASERTSAK

  114-132

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• “THE RIVERS OF LIFE” FOR ORCHESTRA

  WARAVOOT KONGKAEW, NARONGRIT DHAMABUTRA

  133-148

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• SAW-U HARMONIC STYLE IN MINSTREL PERFORMANCE

  PRACHAKON SRISAKON

  149-165

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• ART FOR PUBLIC: THE CREATION OF ART FOR APPROPRIATE AESTHETICS AND IN THE NEW NORMAL - A CASE STUDY OF "YOO YEN PEN SUK AT SALAYA"

  PAWINEE BOONSERM, SKOWRUNG SAIBUNMI, NANTIDA CHANDRANSU

  166-183

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บทความวิชาการ | Academic Article

• TWELVE-LANGUAGES PLAYS: BACKGROUND, DEFINITION, AND TRADITION

  SANONG KLANGPRASRI

  185-198

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• INSTRUCTIONS FOR THE AUTHORS

  199-209

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