The create melodic solo, Pap-Samchan on the Khong Wong-Yai

Main Article Content

Pramote Danpradit Karoon Danpradit Sutinan Sopapark

Abstract

          This article describes the creation of the melodic solo, Pap-Samchan, on the Khong Wong-Yai. The purpose of this project is to create a new melody by applying the research and creative (R & C) approach on traditional Thai music and describe the structure and characteristics of the melodic solo form. The results of this study are the following:


          The form of the melodic solo Pap-Samchan is divided into 2 sections:  Section 1: consists of 6 long bars, repeated 2 times. Section 2: divided into 2 parts: Part 1: 3 long bars; repeated 2 times, Part 2 : 4 long bars played as a round. Summary of the melodic solo form: Section 1 played 2 times as a unique melody. Section 2, the first part is played 2 times as a unique melody, and the second part is played once, with a melodic solo form written as a symbol [AÁ] [BB'C].


         The results of the analysis of the melodic solo are as follows. The creators of solo instrumentation on the Khong Wong Yai have adopted a form and advanced playing technique for a melodic solo form with the use of flickering methods called sabuth –zhiew, kro, kra-thob-ku, noob-nub, kaiy-moo, kwad, and accelerando: as well to control the tempo. However, the level of melodic solo playing is more relevant to the instructor and the drumming than the melodic solo.

Keywords

Article Details

Section
บทความวิจัย (Research Articles)