Building Data Base of E-san Wall Painting for Creative Economic Product Designs.

การสร้างฐานข้อมูลจากภาพจิตรกรรมฝาผนังอีสานเพื่อการออกแบบผลิตภัณฑ์เชิงเศรษฐกิจสร้างสรรค์

Authors

  • Suttipong Srichoumpol Faculty of Culture, Mahasarakham University.
  • Nattapong Phudlar Faculty of Culture, Mahasarakham University.
  • Parsan Kamchonmanukun Faculty of Culture, Mahasarakham University.

Keywords:

E-san Mural paiting, Design product, Creative Economy, Bluid data base

Abstract

History of how to preserve folk art in value creation knowledge and solve problems together to make folk  painting get more attention and publicity than now   a day.This is research is a quanlitative  research  aimed at 1) To study the history of characters in the literature from E-san Mural 2) To collect characters in the literature from E-san Mural to design Creative Economy Products database, 3) To study character in Literature from E-san Mural cultural to product design. The research  area ;  1)  Khonkaen province, Sa Bua Kaeo temple, Sanuan Wari temple ,Phatthana Ram temple,  Mahasarakham  province ;  Photharam temple , Pa Re Rai temple , Nakhonphanom  province ; Hua Wiang Rangsi temple , Ubon Ratchathani province ; Thung Simueang  temple , Si Nuan Sawang Arom temple , Nakhon Ratchasima, province ;  Khok  Srisaket temple ,  Pathum  Khongkha temple, Pathum Khongkha temple. The  struments used for the study were questionnaire survey, and group interview. Both fields data are collected between August 2013 – July 2014. Data field from surway, observation, interview , Focus group interview, Some data were obtained from 26 knowledgeable groups, practices group were 27 persons and general 27 persons. The data were triangulated to test the reliability and then descriptively analyzed.

The research results, The history of expression of ideas in the works of imitation, to see the beauty of nature and imitate it as a shape , shape color , beautiful shape and several, techniques to convey,  the work into a different sense of mood of the story, and emotions of the artist expressing, The imagination a dream that different from nature and normal occurrence. The art dose not hold the truth of nature. It creates the art and create beauty that surpasses the nature by its tastes and sences.  Liturature has presented a new from of expression and content that express ideas in various aspects, The social , Political , Economic and people’ s lifestyle of that era.

The characters in Literature study from East to design the mural. Human image consist, of a status of a foreign soldier and E-san citizen. The nature is a way of life and religions activities.

Conversation should be supported by the government. The oppropriate format, The creation of E-san painting database was found that similar. Conservation needs of the faith must be provide for the curriculum of elementary, and high school curriculum as well as regular exhibitions on E-san painting database Creative economic values, creative art from the visuals, groups of images into 5 types of products ; including T-shirt , glass shells, wall decorations, wall painting and wall decorations, The same source to establish further conservation.

Inconclusion it should  be preserved database of E-san painting, the E-san Art Museum is the collection of traditional modern E-san painting database that organized by the Museum of E-san painting database conservation should be support by the government.

References

Ariwong, C. (1993). Study of Ramayana murals at Sala Mondop, Wat Phra Chetuphon Wimolmangkam. Bangkok : Silpakorn University.

Benjapong, J. (2006). Islamic motif decorative in Thai art (16th-18th centuries A.D.). Bangkok : Silpakorn University.

Chaikun, C. (1993). Western influence In the mural painting Mahaprabharattham Worawihan, Bangkok : Silpakorn University.

Charoenkitamon, P. (2005). A study of mural painting at Wat Aryararam, Wat Photharam, Ratchaburi. Bangkok : Silpakorn University.

Houngsmut, T. (2007). An existence of fear which is hiding under the human mind in the form of metaphysics painting. Bangkok : Silpakorn University.

Khamtrong, S. (2007). The foreigners images in Thai tradition painting between late 17-18 century A.D. Bangkok : Silpakorn University.

Lamom, S. (2009). Movement in Thai paintings. Bangkok : Silpakorn University.

Phinsri, K. (1997). An Analysis of Western Influences on Thai Art and Culture as Reflected in Thai Mural Painting the Reign of King Rama V : A Case Study in Bhodinimtra Sathitmahasimaram Temple. Bangkok. Silpakorn University.

Poplarb, W. (2003). The study of Wat Suwandararam's mural painting, Ayutthaya. Bangkok : Silpakorn University.

Preediyaphan, A. (2004). The influence of Chinese art and reflection of Chinese lifeway from the Wat Phachetuphol mural painting, Bangkok : Silpakorn University.

Rojnanont, U. (2010). The mural painting in The Ubosoth of Wat Viharnberg, Phatthalung Province. Bangkok : Silpakorn University.

Sawatdirak, K. (2010). Style of Suburb Mural Painting in The Reign of King Rama IV Period Wat Bang Nam Peung Nok, Samut Prakan. Bangkok : Silpakorn University.

Sawatdirom, K. (1996). Thai ornament in contemporary painting. Bangkok : Silpakorn University.

Sipho, S. (2005). Beliefs in animal sculptures appear in the religion of Khon Kaen Municipality, Tambon Na Muang, Amphoe Mueang, Khon Kaen Province. Mahasarakham University.

Srisukprasert, T. (1994). Abstract painting from Thai traditional form. Bangkok : Silpakorn University.

Srutongprasert, A. (2007). Sukhothai Thammathirat Open University, Bangkok : Silpakorn University.

Sukkatha, P. (1990). The study of paintings in Pra Ubosotha at Wat Nang Nong. Bangkok : Silpakorn University.

Sukporn, C. (2004). Museum of Thai Mural paintings, Bangkok : Silpakorn University.

Sukyardjaroen, S. (2010). A study on literature scene from mural paintings inside Phra Ubosoth and Phra Vihara in Bangkok During The Reign of King Rama I-V. Bangkok : Silpakorn University.

Suwannarat, J. (2004). Style and concept of Kuti's mural paintings in Pattani and Narathiwat. Bangkok : Silpakorn University.

Tangprakob, S. (2009). Sand painting, Bangkok : Silpakorn University.

Tangtulanon, K. (2011). An analytical study of the buddha dhamma found on mural painting in the uposatah hall at Wat Thong Thammachat Waraviharn. Bangkok : Mahachulalongkornrajavidyalaya University.

Thani, P. (2001). A study of the living and living conditions as seen in the picture of the mental facade of Wat Ban Ban Tambon, Ban Khong Subdistrict, Photharam District, Ratchaburi Province. Bangkok : Silpakorn University.

Thonginnetra, A. (1982). A study of Thai costume from mural painting during the reign of King Rama IV, Bangkok : Silpakorn University.

Triphanuwan, C. (2006). Women's dress Study of murals Rama III. Bangkok : Silpakorn University.

Uanomjitkul, P. (2010). Animals in Thai visual art : 1934-2007. Bangkok : Silpakorn University.

Uluchata, P. (1990). "Understanding Thai art" in art and Thai society. Bangkok : Sukhothai Thammathirat University.

Warnjing, D. (1998). The Thai rural life in Thai painting. Bangkok : Silpakorn University.

Wichaikul, S. (1993). Study of costumes from church murals. Wat Na Phra That Pak Thong Chai Nakhon Ratchasima. Mahasarakham : Srinakharinwirot University.

Downloads

Published

2018-06-12

Issue

Section

บทความวิจัย (Research Article)