泰华闪小说的语言风格和审美艺术

Main Article Content

Wang Lei

บทคัดย่อ

          泰华闪小说是在中国大陆闪小说的基础上崛起于泰华文坛的,在海外华文闪小说界有着重要地位。为了加深对泰华闪小说了解,分歧其特有的语言和艺术风格。通过对《泰华闪小说集》阅读整理,将泰华闪小说根据题材和反应的社会问题及伦理道理等因素分为12个类别,研究过程中充分结合闪小说特征,紧紧抓住泰华闪小说时代性和文学性,归纳了不同题材的泰华闪小说的表达方式和审美特点,最终总结了泰华闪小说的语言风格和审美艺术。

 

          Chinese overseas’ flash fiction in Thailand is developed on a basis of the flash fiction of Chinese Mainland, which is very important in the area of the Chinese overseas’ flash fiction in the world. In order to get a deeper clue (knowing) of the Chinese overseas’ flash fiction in Thailand, and analyse the linguistic and artistic characteristic style. Through reading and finishing work of Collections of Chinese overseas’ flash fiction in Thailand and according to the subject and content of the Chinese overseas’ flash fiction in Thailand, the author divides it into 12 sorts. At the same time, in the process of researching and combining the characteristics of the novels, grasping the times and literariness of the Chinese overseas’ flash fiction in Thailand, summarizing many different subjects and contents’ expressing methods and aesthetic features of Chinese overseas’ flash fiction in Thailand, summing up the linguistic style and aesthetic art of Chinese overseas’ flash fiction in Thailand finally.

Article Details

บท
บทความวิชาการ

References

蔡中锋,(2012). 风行天下闪小说,引领阅读新潮流,摘自http://blog.sina.com.cn/s/blog_50fea14d0102e7gz.html

程思良(2012). 智慧的闪光—《心有灵犀》评论选,泰华文学出版社.

陈喜儒(2002) 泰华作家司马攻印象,人民日报海外版.

陈勇(2011). 世界华文微型小说百家论,内蒙古人民出版社.

陈勇,(2011),复杂的人性与变幻的世情,摘自http://wxs.hiznet.com 《第二届世界华文微型小说大赛获奖作品集》(2013). 上海文艺出版社.

龙彼德(2014). 曾心微型小说艺术留中大学出版社.

梦莉,(2012). 智慧的闪光一序闪小说集《心有灵犀》,泰华文学出版社.

梦莉,(2007). 人生哪得几回聚云南省当代文学研究会文学评论选.

司马攻(2012). 蹊径闪中来 ————序《泰华闪小说集》,泰华文学出版社.

司马攻(2012). 我与闪小说,泰华文学出版社, 《泰华闪小说集》(2012) 泰华文学出版社.

《泰华文学》(2014). 闪小说专栏.

张国培(1996). 论泰华作家司马攻的微型小说,中山大学学报(4). 16-18Si.

曾心(1998). 曾心文集,厦门鹭江出版社.

曾心(2002). 蓝眼睛,泰国时代论坛出版社.

曾心(2013). 消失的曲声(世界华文微型小说经典), 四川文艺出版社.

Translated Chinese References

Cai, Zh. F. (2012). Flash fiction fashion world, leading the New Wave reading. from http://blog.sina.com.cn/s/blog_50fea14d0102e7gz.html

Chen, X. R. (2002). The impression of Chinese Overseas' writer Si Magong in Thailand. People's Daily Overseas Edition.

Chen, Y. (2011). World Chinese Micro Fiction on one hundred. Inner Mongolia People's Publishing House.

Chen, Y. (2011). Complex humanity & Changing world situation from http://wxs.hi2net.com

Cheng, S. L. (2012). Wisdom flash-selected literary criticism of Flash fiction collection “minds”.

Thailand's Literature Press.

Creative writing flash in the past - the sequence "Taihua flash fiction collection". (2012).

Thailand's Literature Press.

Long, B. D. (2014). Zeng Xin's Micro Fiction Art. Thai Liuzhong Press. Meng, L. (2012). Wisdom flash-Preface of Flash fiction collection "minds".

Meng, L. (2007). Life Rare a Time For Friend. Yunnan Contemporary Literature Research Society selected literary criticism.

Si, M. G. (2012). I and flash fiction. Thailand's Literature Press.

Thailand flash fiction collection. (2012). Thailand's Literature Press.

Thailand Literature. (2014). Flash fiction column.

The Second World Chinese Micro-fiction Contest Awards Collections. (2013). Shanghai Art Press.

Zeng, X. (1998). Zeng Xin’s Anthology. Xiamen Lujiang Press.

Zeng, X. (2002). Blueeyes. Times Forum of Thailand Press.

Zeng, X. (2013). The disappearance of song sound. Sichuan Art Press.

Zhang, G. P. (1996). Analysis of the Chinese Overseas'micro-fiction in Thailand. Journal of Sun Yatsen University.