Principles of Selecting Background Music for Female Character Classical Solo Dances

Abstract

This article aims to detail the principles behind the selection of background music for classical solo dances performed by female characters. The paper commences by dividing classical solo dances into six types, namely Long Song Song Krueang dance, Chui Chai dance, Chert Ching dance, Chom Sathanthi dance, Truat Phon dance, and ceremonial solo dance. It then describes important features of the
corresponding background music during the beginning, middle, and end of such dances. After that, it provides examples of the selection of background music to suit different play scripts. Finally, it concludes with the principles underpinning the selection of background music, namely the type of classical solo dances; the role and importance of the classical solo dance character; a match between the rhythm, tone, style, length, and meaning of background music and the dance patterns; the musical instruments and type of bands required; and the proficiency of the singer. Careful application of these principles will enhance the authenticity as well as the aesthetic and melodious qualities of a classical solo dance.